This week, I’m reviewing Where the Mountain Meets the Moon, by Grace Lin. I first noticed this book at Barnes and Noble about a month ago, on the same trip where I picked up Inside Out and Back Again. I didn’t buy it at the time, but I decided to come back to it later, because a Newbery Honor fantasy-adventure story set in ancient China isn’t something you get to read every day.
This is cliché, I know, but the book really is a breath of fresh air. A lot of the basic elements are familiar. Minli, the protagonist, is the quintessential young hero on a quest. The plot borrows a lot from The Wizard of Oz and reminds me a bit of the first Harry Potter book as well. But it’s built up around Chinese folklore, which provides an unusual setting and a completely different tone than any other comparable stories. The world is beautifully constructed and endlessly creative, and every part of the story is woven together by the end.
Talking goldfish, dragons that emerge out of paintings, and red strings that tie people’s destinies together are not always easy to believe in. I often found myself as skeptical as Minli’s parents. But even they learn to have faith by the end, and likewise, I found it easier and easier to suspend my disbelief as I continued reading. It’s fantasy. It’s not meant to make sense, and yet, in a weird way, it does. I’ve always been able to appreciate books about magic spells and fantastic creatures, and the book did well at drawing on the conventions of fantasy while still coming up with something unique and original.
There are some beautiful themes in the story. Like Dorothy, Minli learns in the end that she already has what she needs. It’s her selfless decision to help a friend rather than herself that gives her a way to help both of them, and it was only through the things she encountered on her journey that she was able to arrive at that decision. It’s a book about faith, selflessness, family, coming-of-age, and many other things, but if I had to sum it up in one word, I’d say it’s about gratitude. It’s only once Minli learns to be thankful for what she has that she’s able to improve her own life and her village’s welfare.
I especially loved the emphasis on storytelling. This is not the first book to ask meta-fictional questions, such as, “What is the value of telling fantasy stories?” However, it answers that question beautifully by weaving storytelling throughout the main narrative. Almost every chapter has a shorter story in it that – sooner or later – turns out to be true. Lin sends her protagonist on a journey through a world of stories, which come to life all around her. It gives the impression that we only have to look to see the magic in the everyday world.
The book is beautifully illustrated, the world vividly constructed, and the characters human and relatable. The story is like a mosaic, made up of bits and pieces of something recognizable, but put together in unexpected ways, resulting in something utterly unique – and yet the themes it explores are universal and relevant. Not only did I find it enjoyable and refreshing, I also felt that it had a great deal of value as a piece of literature. It’s not hard to see why it won a Newbery Honor.