I love a good retelling of a classic story, especially when it provides a new perspective instead of just repeating the plot. When I saw that the play I’ve just finished (Hamlet) had been retold as a YA novel, I just couldn’t resist. After all, Shakespeare didn’t come up with the plots of his plays on his own – they come from history, mythology, and other writers’ work – but he gave them the language and the form that we know today. It seems fitting that we continue to reexamine these stories and tell them again.
The novel is Ophelia, by Lisa M. Klein, and as you can probably guess from the title, it’s told from Ophelia’s point of view. Its plot takes quite a few liberties with Shakespeare, which I don’t want to get into too much and spoil the twists. But I will tell you Ophelia survives this version, which is hardly a spoiler since it’s revealed on page 1. This is actually one of my biggest criticisms of the book. I would rather have assumed it would keep the tragic ending and been surprised by the bittersweet one than know from the start it would be changed.
The part of the play dealing with Hamlet and his uncle is only about a third of the story, which is divided into three parts. The first of these deals with Ophelia’s childhood and family, as well as the beginning of her relationship with Hamlet. It’s a bit chilling to see things like young Hamlet and Laertes sparring with wooden swords, knowing what’s to come. This section does a good job of fleshing out Ophelia’s character, making her a bit of a rebel who was allowed to run around with the boys and encouraged to study as a child, before suddenly being expected to act like a proper lady. The flowers from her final scene are woven in throughout the story, so that by the time she hands them out, the reader understands just how significant they are.
The second part retells Hamlet – the play – focusing entirely on Ophelia’s perspective as she watches Hamlet’s transformation and falls into despair herself. However, here, she is able to save herself. The book then follows her as she finds a new path. Ophelia’s identity develops over the course of the story: she grows from an unruly child; to a dutiful lady-in-waiting; to a naïve, lovesick young woman; to someone who has suffered and forced herself to survive. It’s a joy to watch her grow up and find her place in the world. What happens in the epilogue might be unexpected to some, but I thought it was sweet and fitting.
Elements from others of Shakespeare’s plays are woven into the story. Like Juliet, this version of Ophelia fakes her death and subsequently loses her lover; like Viola and Rosalind, she travels disguised as a man. However, it also bears elements of today’s fiction. It takes the point of view of a teenage girl exploring romance and independence for the first time, like much of the Young Adult genre. It’s impossible to classify as a tragedy or a comedy; Ophelia loses much along the way, but the ending offers hope. The language is updated to be easy for the modern reader to understand, and an anonymous guard is developed into a menacing villain. Not all the changes are good ones (the death of Ophelia’s father, for one – I’m still not sure how he got from where we last saw him to where he was killed. I’m also not sure about inserting Ophelia into “to be or not to be?”). However, these are minor complaints. Overall, the story was great.
I found Ophelia to be a good blend of old and new, its lead character well-developed beyond who she was in the play, and the section following her faked death a realistic hopeful alternative to her tragic fate in Shakespeare. I would definitely recommend it!